This challenges our perception of sentience both in actuality and simulation, calling into question the sensory event of being alive. Smoothing over the figure are clear and clean brushstrokes, allowing for paint and color exploration. The clay like figures interact through playful touch and slippery movements, contained in a dreamlike state of unreal color. Water saturates both the figure and the ground, recalling the soft still surface of water before submergence and provides opportune moments for painting. Hyperreal color and lighting bring the figure’s ground to life, pushing the plausibility of the environment while bringing attention to its utter absurdness. It is his hope that the viewer will feel a connection to this happy amalgam of nostalgia and fantasy.Īttilio Esposito attempts to create suspended images in the embryonic state that could find their development within the personal thought of the observer.Įsposito creates works that allow him to build a link between abstraction and a more academic kind of painting, condensing movements, lights and colors in the metaphysic theatre of the canvas.įabricated sentience is explored in Mariah Ferrari’s paintings as figures are given only the sensation of touch. As a result Ron DeFelice is able to conjure up these impossible realities that radiate weirdness and positivity. Rendering these amorphic clay characters with texture and monolithic proportions allows him to achieve a deliberate contrast to his painterly landscapes. He further enhances lighting, color and composition through digital design DeFelice uses plein air field studies, clay sculptures and studio painting to build a stage for his characters in these natural environments. Inspired by iconic toys and cartoons over the years, along with his reverence of nature Ron DeFelice conceived the idea to produce whimsical worlds on painted canvas. Sculpted into recognizable, pop culture icons (Ron DeFelice), molded into the cast of peculiar characters from artist’s own universe (Jonny Green, Peter Opheim), used to abstract human form ( Einar Lúðvík Ólafsson ), or employed as a connecting element between abstraction and representational figuration (Mariah Ferrari, Attilio Esposito), the works are playfully exploring the existential relationship between the material and pictorial sphere through a medium of painting. The works comprising PAINT DOH are elevating such efforts to new heights by exclusively focusing on the depiction of the modeling materials and their spatial properties. Starting with Titian in 16th century Italy or Peter Paul Rubens in Belgium, elaborated by Diego Velázquez in Spain, and Rembrandt or Johannes Vermeer in The Netherlands, the need to accentuate the physical attributes of the imagery has been driving the progression of techniques and feeding the sprouting of new painterly styles and movements. Utilizing the materiality of paint and the viscosity of oils has been a key element for painters’ practices over the centuries.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |